Richard Tucker Gala: “A winning performance”

Rachel Willis-Sorensen […] held her own with a stylish, playful take on Rosalinde’s Czardas from Die Fledermaus. She offered a full, flowing, caramel tone and toyed elegantly with the tempo, playing up a fake Hungarian accent for comic effect. Her winning performance might have gotten a bigger hand from the audience if Luisotti and the orchestra hadn’t buried her for most of it.

New York Classical Review