Donna Anna/The Metropolitan Opera

Donna Anna, Rachel Willis-Sørensen essayed a truly powerful interpretation. From the opening notes to the very end of the opera, her performance was marked by tremendous vocal confidence with arguably the most challenging role in the opera.

New York Classical Review

Rachel Willis-Sørenson…blossomed into a penetrating tone and effortless coloratura, culminating in her big moment in the opera’s next-to-last scene with “Non mi dir.

-New York Classical Review